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Rabu, Desember 02, 2015

Ricki And The Flash Cinepolis

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Three-time Academy Award (R) winner Meryl Streep goes electric and takes on a whole new gig - a hard-rocking singer/guitarist - for Oscar (R)-winning director Jonathan Demme and Academy Award (R)-winning screenwriter Diablo Cody in the uplifting comedy Ricki and the Flash. In a film loaded with music and live performance, Streep stars as Ricki, a guitar heroine who gave up everything for her dream of rock-and-roll stardom, but is now returning home to make things right with her family. Streep stars opposite her real-life daughter Mamie Gummer, who plays her fictional daughter; Rick Springfield, who takes on the role of a Flash member in love with Ricki; and Kevin Kline, who portrays Ricki's long-suffering ex-husband. (C) Tristar

About Ricki And The Flash

Artist : Meryl Streep, Rick Springfield, Rick Rosas, Joe Vitale, Bernie Worrell, Ben Platt, Peter C Demme, Jim Roche, Alexa Klienbard, Keala Settle, Joe Toutebon, Big Jim Wheeler, Brooklyn Demme, Eamon O'Rourke, Aaron Clifton Moten
As : Ricki, Greg, Buster, Joe, Billy, Daniel, Walt, Sharon, Whitey, Elvis Guy, Salt Well Drinker, Salt Well Dancer, Troy
Title : Ricki And The Flash Cinepolis
Release date : 2015-08-07
Movie Code : 3623726
Duration : 102
Category : Comedy, Drama, Music

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Comment For Ricki And The Flash Cine

Name : Patrick Dunn / Alias : Detroit News
Streep may have just been looking for some variety and an Oscar. But why is Demme, the great director of "The Silence of the Lambs," wasting his time on this?

Name : Mick LaSalle / Alias : San Francisco Chronicle
If only Streep would have put down the microphone and let Springfield sing "Jessie's Girl," "Ricki and the Flash" might have had half a chance.

Name : Ty Burr / Alias : Boston Globe
"Ricki and the Flash" feels like "Stella Dallas" as remade by Jean Renoir - it's a humanist suburban fable.

Name : J. R. Jones / Alias : Chicago Reader
The result is cold porridge.

Name : Stephen Whitty / Alias : Newark Star-Ledger
While there are some bright notes in Cody's writing, the situations feel a little tired, and the characters unexplored.

Name : Lindsey Bahr / Alias : Associated Press
Ultimately, spending time with these people is pleasant, lived-in, honest and even thought-provoking. And when the dialogue stops, there's a fun, golden not-too-oldies live music soundtrack to hum along with too.

Name : Bill Goodykoontz / Alias : Arizona Republic
What might have been must be better than what's here, because what's here isn't much.

Name : Moira MacDonald / Alias : Seattle Times
Streep's performance, like lightning, jolts everything.

Name : Peter Howell / Alias : Toronto Star
Worth watching, and rocking to.

Name : Sheri Linden / Alias : Hollywood Reporter
Even with its well-observed moments, the movie's nonmusical interactions, whether reaching for laughs or poignancy, too often feel flat and forced.

Name : Steven Rea / Alias : Philadelphia Inquirer
Demme has already made a messed-up family matrimonial get-together way better than this, with a way better screenplay than the one Juno writer Cody has tossed off.

Name : Alonso Duralde / Alias : TheWrap
An assemblage of almost-characters in an almost-story, resulting in a very disappointing almost-movie.

Name : Wesley Morris / Alias : Grantland
The film, which Diablo Cody wrote and Jonathan Demme directed, is a work of bulk-size bogusness. Barely a single scene is convincing.

Name : David Edelstein / Alias : New York Magazine/Vulture
Ricki and the Flash swerves near stereotypes and swerves away at every turn.

Name : Ann Hornaday / Alias : Washington Post
It's a crowd-pleaser every bit as calculated and earnestly defanged as a Golden Oldies bus-and-truck tour. It's fun while it lasts, even if the Bic lighters stay safely pocketed at the end of the show.

Name : Dana Stevens / Alias : Slate
The screenplay doesn't lack for memorable zingers, and thanks to Cody's script and Streep's performance, Ricki emerges as a complex, self-contradictory person (even if most of the supporting characters don't).

Name : Richard Roeper / Alias : Chicago Sun-Times
The skilled veteran Demme alternates dysfunctional family confrontations with easy comedy, expertly peppering in just the right rock tunes along the way. It's hard not to like Ricki, but the film makes no excuses for her actions.

Name : Joshua Rothkopf / Alias : Time Out
Streep finds her way to the soul of several songs. There's devastating connection and tears in these moments: delicate gratitude in "Drift Away," nothing short of maternal redemption in a roaring version of Springsteen's "My Love Will Not Let You Down."

Name : Susanna Schrobsdorff / Alias : TIME Magazine
Streep's latest mom role, as Ricki Rendazzo in Ricki and the Flash, has a light, Mamma Mia! vibe, but it still hits all those hot buttons.

Name : Joe Morgenstern / Alias : Wall Street Journal
There are fleeting moments of real fun. Still, it's hard not to wonder why so much in the movie went so wrong.

Name : A.O. Scott / Alias : New York Times
"Ricki and the Flash" seems like a squandered opportunity for this humane, curious and liberal-minded filmmaker to reflect on some uncomfortable realities. This isn't really rock 'n' roll. It's easy listening.

Name : Spencer Kornhaber / Alias : The Atlantic
Just when the story beats start to feel unbearably obvious, the film changes keys, becoming less family dramedy than a concert film.

Name : Peter Travers / Alias : Rolling Stone
Director Jonathan Demme, with music in his DNA, offers a heartfelt salute to those who play the underside of rock & roll because, well, they have to. Too bad the rest of the movie is dime-a-dozen family soap opera.

Name : Leah Greenblatt / Alias : Entertainment Weekly
Ricki raises smart questions about why a mother's musical ambitions are so much more selfish than, say, seven-time dad Mick Jagger's, and even the shamelessly corny sing-along finale wrings a few real tears out.

Name : Amy Nicholson / Alias : L.A. Weekly
If only Demme had shot a scene of Ricki stubbing out a joint on a "Cathy" comic strip.

Name : Rafer Guzman / Alias : Newsday
Streep and Springfield make a surprisingly sweet pair of retirement-age rockers, but the scattered story line keeps losing the beat.

Name : Joe Neumaier / Alias : New York Daily News
The story here, like a lot of bar bands, goes loud to cover up mediocrity. When Streep sings, though, so does the film.

Name : Tina Hassannia / Alias : Globe and Mail
Regardless of its flimsy emotional interior, Ricki is a worthy addition in this year's growing canon of strong female-centred films, and it would be wise to remember Streep's stunning performance come awards season.

Name : Preston Jones / Alias : Fort Worth Star-Telegram/DFW.com
The film roars to life too intermittently.but, sadly, too much of Ricki and the Flash is just the same old song.

Name : Ignatiy Vishnevetsky / Alias : AV Club
As in Demme's best early work (Handle With Care, Melvin & Howard), there is both an affection for a uniquely American type of oddball and a clear-eyed sense of their foibles.

Name : Scott Tobias / Alias : NPR
A warmth radiates through Ricki and the Flash like a song sung true. A film that adores its characters this much is sure to be adored in kind.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Quite a few filmgoers lament the shortage of movies for adults. "Ricki and the Flash" goes against that trend with rock 'n' roll attitude.

Name : Peter Rainer / Alias : Christian Science Monitor
Despite Streep's best efforts, Ricki seems more of a contrivance than a flesh-and-blood character.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Creating a film with solid drama beside good humor is tough. It's harder still to balance them against a complicated character so they don't sprawl lopsided, and to send the audience home feeling satisfied.

Name : Sara Stewart / Alias : New York Post
The movie itself seems equally divided between the sensibilities of hyperverbal writer Diablo Cody and music-centric director Jonathan Demme, and ends up falling into a muddy gap between the two.

Name : Andrew Barker / Alias : Variety
This is a shaggy, easily distractible film that consistently defies expectations to both charming and baffling effect.

Name : Kenneth Turan / Alias : Los Angeles Times
Diablo Cody's dispiriting screenplay is all about everyone coming to love Ricki, faults and all, and that is just not convincingly done.

Name : Michael Phillips / Alias : Chicago Tribune
All good protagonists are contradictory tangles of experience and disappointment, but Cody is so tentative in her approach, nothing gathers steam or sticks in emotional terms.

Name : James Berardinelli / Alias : ReelViews
The movie is mature in the way it handles the regrets of absentee parents and the ways in which their children relate to them. There's a little Hollywood artifice here but not so much that the emotions feel inauthentic.

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Kamis, Januari 10, 2013

The Conjuring 2: The Enfield Poltergeist Full Movie Official 2017

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Reprising their roles, Oscar nominee Vera Farmiga ("Up In the Air," TV's "Bates Motel") and Patrick Wilson (the "Insidious" films), star as Lorraine and Ed Warren, who, in one of their most terrifying paranormal investigations, travel to north London to help a single mother raising four children alone in a house plagued by malicious spirits.

About The Conjuring 2: The Enfield Poltergeist

Artist : Patrick Wilson, Vera Farmiga, Frances O
As : Ed Warren, Lorraine Warren, Peggy Hodgson, Janet Hodgson, Margaret Hodgson
Title : The Conjuring 2: The Enfield Poltergeist Full Movie Official 2017
Release date : 2016-06-03
Movie Code : 3065204
Duration : 100
Category : Horror

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Comment For The Conjuring 2: The Enfield Poltergeist Film Gratuit

Name : Adam Graham / Alias : Detroit News
As "The Conjuring" progresses, the scares don't register beyond standard issue horror gotchas. They're as telegraphed as the musical cues alerting you something spooky is about to happen.

Name : Bill Goodykoontz / Alias : Arizona Republic
James Wan proves himself to be moving quickly up the ranks of terror auteurs. The timing, pacing and character movement are outstanding. And it's scary as hell.

Name : Manohla Dargis / Alias : New York Times
The dread gathers and surges while the blood scarcely trickles in "The Conjuring," a fantastically effective haunted-house movie.

Name : A.A. Dowd / Alias : AV Club
As an exercise in classical scare tactics, delivered through an escalating series of primo setpieces, The Conjuring is often supremely effective.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's a ramshackle ghost story that Stephen King would throw at his trash can.

Name : Michael O'Sullivan / Alias : Washington Post
In The Conjuring, the scary casts out the spirit of the silly, permanently, and with a vengeance.

Name : Jake Coyle / Alias : Associated Press
The horror sequel is a tough thing to pull off in general, and The Conjuring 2 is most certainly one of the better efforts. But, for better or worse, the first movie was just too good and The Conjuring 2 can't hold a candle to its predecessor.

Name : Katie Rife / Alias : AV Club
When The Conjuring 2 focuses its efforts on scaring the audience, it succeeds, wildly. And why wouldn't it?

Name : Lou Lumenick / Alias : New York Post
A mostly satisfying follow-up that brings back the excellent Patrick Wilson and Vera Farmiga as Ed and Lorraine Warren, the real-life paranormal experts most famous for investigating "The Amityville Horror'' house.

Name : Justin Chang / Alias : Variety
A sensationally entertaining old-school freakout and one of the smartest, most viscerally effective thrillers in recent memory.

Name : Peter Travers / Alias : Rolling Stone
The sequel overstays its welcome at a punishing 133 minutes, but the power of director James Wan compels you to scream your bloody head off.

Name : Rafer Guzman / Alias : Newsday
Another year, another mix of "The Amityville Horror" and "The Exorcist." Solid acting and an emotional back story set this one slightly apart.

Name : Sheri Linden / Alias : Hollywood Reporter
Taut and effective edge-of-the-seat horror, delivered with style and an especially haunting performance by Vera Farmiga.

Name : Anthony Lane / Alias : New Yorker
[Wan's] framing of the scares is artfully managed, and it is the accomplished Wolfe, rather than any monster, who takes true possession of the tale.

Name : Richard Roeper / Alias : Chicago Sun-Times
It's just a shame the end of the movie wasn't lurking around the corner far sooner than when it finally turned up, by which time a considerable amount of my emotional investment in the film had been exhausted.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its forked tongue planted loosely in cheek, this haunted-house flick is enjoyably retro in both style and substance.

Name : Soren Anderson / Alias : Seattle Times
Hey! It's Great Moments in Haunted House Movies, collected in a double album set called "The Conjuring 2."

Name : Rene Rodriguez / Alias : Miami Herald
An uncommonly intense and frightening experience.

Name : Alonso Duralde / Alias : TheWrap
Frightening rarely strikes twice in the same place, despite the efforts of so many horror sequels, but even if The Conjuring 2 doesn't deliver the delightful jolts of its predecessor, it maintains a consistent chill throughout.

Name : Mark Daniell / Alias : Toronto Sun
You always get the sense that the Hodgsons are being targeted by something that is truly out of their control, and that's the biggest scare of all.

Name : Michael Phillips / Alias : Chicago Tribune
An "Amityville Horror" for a new century (and a far better movie than that 1979 hit), yet firmly rooted, without being slavish or self-conscious, in the visual language of 1970s filmmaking.

Name : Joe Morgenstern / Alias : Wall Street Journal
This saga of demonic possession deploys the full audio firepower of modern multiplexes, and does so with brain-battering frequency, like a ghostbusting version of a Japanese Taiko drum ensemble.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
Much longer, more elaborate, more dramatic, and more packed with chilling moments and hair-raising visuals than one could anticipate, even from Wan.

Name : Richard Roeper / Alias : Richard Roeper.com
Treads familiar territory, but with style.

Name : James Berardinelli / Alias : ReelViews
If I was to use a single word to describe The Conjuring, it would be "intense."

Name : Chris Nashawaty / Alias : Entertainment Weekly
There are some solid scares (Wan is too gifted in the dark art of gotcha manipulation to not make you leap a few times), but there's nothing on par with the first film's brilliant hide-and-clap scene with Lili Taylor.

Name : Justin Chang / Alias : Los Angeles Times
Another virtuosic exercise in mobile camerawork and moldering production design, tethered to a story that handles its characters and their working-class milieu with an unexpectedly grounded, sensitive touch.

Name : Ben Sachs / Alias : Chicago Reader
It's generic and lazy as storytelling, but this time there's almost enough playful camerawork to distract from the feeble conception.

Name : Moira MacDonald / Alias : Seattle Times
James Wan's haunted-house saga is well-crafted, convincingly acted, surprisingly restrained and scary as hell.

Name : Bilge Ebiri / Alias : Village Voice
The streamlined elements of the first have now given way to mind-numbing clutter.

Name : William Goss / Alias : Film.com
All the contorting girls and pea-soup vomit in the world can hardly compete with a blood-stained sheet and a well-placed doll.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Wan masterfully tightens the vise on the audience's nerves, using mood and sound effects for shocks that never feel cheap (the harmless kids' game of hide-and-clap has never been so bloodcurdling).

Name : Stephen Whitty / Alias : Newark Star-Ledger
[Wan's] entire film is possessed - by other films.

Name : Ty Burr / Alias : Boston Globe
A trim, effective haunted-house spook show, "The Conjuring" is both a throwback to early-'70s real estate shriekers like "The Amityville Horror" and a big-studio response to the "Paranormal Activity" found-footage genre.

Name : Neil Genzlinger / Alias : New York Times
"The Conjuring 2" does everything you want a sequel to do. It's as well made as the original, but the location and the story are different enough that it's not just the same thing all over again.

Name : Brad Wheeler / Alias : Globe and Mail
A supernatural winner bound to make some noise at the box office and worthy of loud applause.

Name : Charlie McCollum / Alias : San Jose Mercury News
Working with cinematographer John R. Leonetti and editor Kirk Morri, Wan carefully crafts each setpiece so that each visual punch has maximum impact to a nerve-shredding musical soundtrack from composer Joseph Bihara.

Name : Andrew O'Hehir / Alias : Salon.com
Horror buffs will find [it] a highly satisfying, well-crafted film in a classical mode, with plenty of scares and very little gore.

Name : Michael Phillips / Alias : Chicago Tribune
Despite all the children in all that peril, Wan is a humane sort of sadist. His latest offers little that's new, but the movie's finesse is something even non-horror fans can appreciate.

Name : Amy Nicholson / Alias : MTV
Wan can't resist throwing in everything from a demonic nun to an evil kinetoscope to a shape-shifting dog. But when building suspense, more means less.

Name : Peter Travers / Alias : Rolling Stone
It scared the living crap out of me. Only at the movies is that a compliment. So kudos to The Conjuring for putting fresh fire into the overworked haunted-house genre.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
Unexpectedly fresh, alive, and vibrant - and wonderfully traumatizing.

Name : Rafer Guzman / Alias : Newsday
What saves the movie is a surprisingly fine cast and deft direction from James Wan, the horror veteran who gave us "Saw."

Name : James Berardinelli / Alias : ReelViews
The Conjuring 2 proves that, with a sufficient investment of time and energy, sequels don't have to be unsatisfying cash-grabs.

Name : Peter Keough / Alias : Boston Globe
There are only so many times a slamming door will get an audience to jump.

Name : Bill Goodykoontz / Alias : Arizona Republic
With big success comes big expectations, and "The Conjuring 2" is loaded with them. It doesn't live up to them, quite, but it's still scary and worth seeing.

Name : Michael Sragow / Alias : Orange County Register
[Wan] cuts The Conjuring into two halves - an exhilarating haunted-house thriller and a grueling post-Exorcist horror film - but they don't come back together in a living, breathing whole.

Name : Jake Coyle / Alias : Associated Press
The Conjuring is an unusually sturdy piece of haunted-house genre filmmaking.

Name : Tom Huddleston / Alias : Time Out
After 'Insidious' and 'The Conjuring', James Wan has his method down.

Name : Owen Gleiberman / Alias : Variety
Wan has a gift that most slam-bang horror directors today do not: a sense of the audience - of their rhythm and pulse, of how to manipulate a moment so that he's practically controlling your breathing.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
This isn't just a good horror film. It's a good film, which just happens to fall in the horror genre.

Name : Edward Douglas / Alias : New York Daily News
The ghost busters of The Conjuring 2 are scary good.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Without recourse to the gruesome S&M excesses of his "Saw" franchise, Wan conjures the chill of a demon breathing down your neck.

Name : Joe Neumaier / Alias : New York Daily News
"The Conjuring" wants Dan and Lorraine to seem like Indiana Jones-style hunters of the supernatural, but in this basic jolt-provider, they're as fascinating as the Jersey Devil.

Name : Alan Scherstuhl / Alias : Village Voice
Damned if director James Wan, the auteur of Saw's rusted-edge cruelty, isn't an ace with enjoyable spookhouse trap-springing.

Name : Phil Brown / Alias : Globe and Mail
The Conjuring uses every stock scare in the horror movie playbook for a dumb, yet charmingly traditional haunted house picture that manages to feel more retro than rehashed.

Name : Alonso Duralde / Alias : TheWrap
The Conjuring doesn't try to reinvent the tropes of horror movies, whether it's ghosts or demons or exorcisms, but Fred Astaire didn't invent tap-dancing, either.

Name : Wesley Morris / Alias : Grantland
Every hand that reaches into a wardrobe, every nervous trip into that basement just gets on your nerves. Satan needs to get over himself.

Name : Michael O'Sullivan / Alias : Washington Post
"The Conjuring 2" satisfies more than it disappoints.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
The damned thing works you so well that you may even consider leaving halfway through, for fear you'll have a heart attack.

Name : Kate Erbland / Alias : MSN Movies
. it surpasses the hallmarks of its genre with an actually dramatic storyline and all-around solid acting. Just don't think you can go see it alone.

Name : Cath Clarke / Alias : Time Out
Wan builds mounting dread with silence and suspense, lingering the camera unsettlingly long here, creaking a door there.

Name : Stephen Whitty / Alias : Newark Star-Ledger
"The Conjuring 2," it seems, is itself possessed - by the ghosts of other, better movies.

Name : Bruce Diones / Alias : New Yorker
Wan . builds the many bumps in the night into a small Hitchcockian symphony of terror by way of long, eerie tracking shots, dramatic silences, and sudden scares that are frighteningly immersive.

Name : Joshua Rothkopf / Alias : Time Out
It takes a retro-fashioned winner like The Conjuring to remind us that if the creaky, old house ain't broke, don't fix it.

Name : Peter Howell / Alias : Toronto Star
This is a horror film where a pair of suddenly clapping hands gives you the heebie-jeebies, and Wan doesn't cheat with his jump scares.

Name : Lou Lumenick / Alias : New York Post
"The Conjuring'' depends more on its excellent cast and atmospheric direction than cheap gimmicks to raise hairs on the back of your neck. Which it does, quite frequently.

Name : Ian Buckwalter / Alias : The Atlantic
.there were moments where it seemed the entire theater was holding its breath. We were united in one feeling: terror.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
The horror movie is artfully crafted from the first scares to the closing credits, with a bold retro vibe.

Name : Sheri Linden / Alias : Hollywood Reporter
Wan's expert deployment of genre jolts is no less in evidence this time around, but as he takes his time - perhaps even a bit too much of it - interweaving the Warrens' story with that of the Hodgsons. he crafts a deep dive into dread.

Name : Claudia Puig / Alias : USA Today
One of the scarier haunted house/demon possession movies in recent years, it brings to mind '70s supernatural horror films such as The Exorcist with its stillness, steady build of suspense and handsome cinematography.

Name : Brian Truitt / Alias : USA Today
A freakier follow-up featuring creepy kids, villains who'll keep you up at night and camerawork that puts moviegoers in a state of impending dread.

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